The Directors Series (2016)

[1.1]- the early independent features

[1.2]- the kirk douglas years

[1.3]- the peter sellers comedies

[1.4]- the master works

[1.5]- the final features

[2.1]- baptism by fire

[2.2] – redemption & triumph

[2.3]- capturing the zeitgeist

[2.4]- into the digital realm

[2.5] – the bleeding edge

[3.1]- the sundance kid

[3.2] – the california chronicles

[3.3] – the concept comedies

[3.4] – portraits of power

[3.5] – surf noir

[3.6] – altered states

[3.7] – passion & poison

[4.1]- murder & mania

[4.2]- the postmodern pictures

[4.3] – the breakout classics

[4.4] – an odyssey into style

[4.5] – screwball scoundrels

[4.6] – a prestigious pinnacle

[4.7] – the art of commerce

[5.1] – the non-linear neo-noirs

[5.2] — the blockbusters begin

[5.3] — the colossal cornerstones

[5.4] — the apocalyptic epics

[5.5] — present tension

[part i] — “crimes of passion”

[part ii] – “paradise conquered”

[part iii] – “a spacetime odyssey”

[part iv] – “the freefall triptych”

[part i] – “teen spirit”

[part ii] – “captive hearts”

[part iii] – “fame & fortune”

[part iv] southern hostility

[part i] a bloody breakout